(second block, fourth letter of the prisoners' quadratic tap code...)

image
...am here to tap through the walls.


Fri Mar, 19 2010

The Payoff On The Commies' Risk

"Simply put; they are not legislating for this current electorate. They are legislating for the electorate-to-come, the one that will exist after Amnesty is granted to 15-30 million new Democrat voters."
I keep hearing about how this DeathCare deal will be the end of the Democrats in November. I cannot think of a single reason why that should matter, and there are many why it doesn't. (For instance: when this thing is in the bag and done, who do you think is going to come along and take it all apart? Like Medicaid, for instance? {snort} Stop with the comedy, already. You will go to your grave carrying this rock.)

W.C. Varones explains one aspect of how this could all get far, far worse than you ever imagined.

America is being legislated out of existence. I am no great fan of Milton Friedman, but he was absolutely correct when he pointed out that you can have free immigration or a welfare state, but you cannot have both.

The link came from WRSA. Go look, and don't neglect your Stockdale.

Mar 19, 10 | 6:58 pm

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}