(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Tue Feb, 09 2010

Permafrost

E-mail in, this afternoon:

"I know that you said you wouldn't always write at the blog if you didn't feel like it. I'm just wondering when it is that you may ever feel like it again. Two--four is now a disgrace. Barely a word from you in months now. Surely there must be something that you could say to the rollicking disaster that once was America."
"Something to say..."

{hah!} You had to hear me laughing during that Scott Brown flail over in Massachusetts. Everywhere around me, conservatives and Republicans were just about shooting guns off in the streets in celebration. It reminded me of nothing so much as the round of foolishness that I put on during The Reagan Delusion. Young and full of hope, I hadn't grasped the evidence of principles over the long runs of decades and centuries, nor how deeply the rot of ideas had hopelessly seeped all of American political practice. A handy example was the first time that anyone had even glanced at the horrendous threat of Social Security: that discussion only got out of the bag during the mid-80's. Everyone was able to agree on that infamous "third rail of American politics" metaphor, and that's as far as things got before another whole generation went down that rat-hole. You could not have blown a conceptual hole through to the principles of the thing with a truckload of ANFO in polite company.

But it was "morning in America".

A generation later, things are down to news-cycle thrills over a Senate seat, because the cannibal-pot fight is balanced just that precariously. The basic premise that might makes right is in its most desperate heaves to date through American history, and the central founding premise of America -- freedom -- just doesn't count anymore.

It mystifies a thinking man: how does anyone believe that it can be resurrected through what the chattering Right has in mind? To hear these simple people swoon over electoral prospects regularly into the future as far as the eye can see is to know truly pathetic and tragic times. They think that freedom consists in choosing their own masters. Whatever their notions of "patriotism" might be (when they exist), these people are content to pass on to their children -- as far as the eye can see -- the general incontinence of generations to whom serious ideas were playthings without consequence. This is a necessary artifact of their own cowardice in not attacking the idea of slavery at root and branch. It is now an enormous forest of the welfare state grown over what was once the glory of the earth by way of the goodness of its people in their freedom.

This will never be voted away, and the idea that there is something valuable afoot in this threadbare charade in Massachusetts is as appalling a thing as anyone ever knew.

...to understand that the snow will never melt in your remaining lifetime.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}