(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Thu Nov, 05 2009

On Ft. Hood

...doing my bit for the general confusion of initial impressions:

Nine dead, now, twenty-seven wounded.

A mournful embrace for all.

~~~~~

4:53pm -- Fox News, presser with U.S. Army spokesman:

A shooter killed. "He was a soldier."

Two more apprehended. "The individuals involved were U.S. soldiers."

This is culturally important, ladies & gentlemen. In some ways, this is much worse than an attack by foreigners.

Very bad news.

Twelve dead, now. Thirty-one wounded.

~~~~~

5:35pm -- Fox News now reporting that the shooter killed was a U.S. Army major, a convert to Islam, allegedly known to be "upset" about his scheduled deployment to Afghanistan.

~~~~~

7:23pm -- The two other soldiers apprehended earlier are now released. Right now, it looks like it's all Nidal Malik Hasan in this. I have wonderments:What the hell is this? Good luck for the bad guy?

Does anyone but me conceive the appalling irony of twelve dead and twenty-seven wounded at the "Soldier Readiness Center"?

I'm serious. All this double-talk is really skeeving me out.

~~~~~

7:49pm --- FNC, now: Congressman John Carter (R -- Texas) is speaking to the weaponology of this. He reports that that another person has been arrested on-post. He reports a combat veteran telling him of hearing semi-automatic rifle fire. Shepard Smith bearing in mind that official Army reports do not restrict the on-scene weaponry to only two handguns.

~~~~~

10:18pm -- U.S. Army presser reporting now that Maj. Nidal Malik Hasan is alive and in custody.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}