(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Tue Jul, 21 2009

Sowell: FAIL

Martin McPhillips cites Thomas Sowell:

"Here, the advocates of government-run medical care say that we all end up paying, one way or another, for the free medical care that hospitals are forced by law to provide in their emergency rooms. But unless you think that any situation you don’t like is a reason to give politicians a blank check for 'change,' the relevant question becomes whether the alternative is either less expensive or of better quality. Nothing is cheaper just because part of the price is paid in higher taxes."
My god -- is there anyone on the scene who can think in principles?

"The relevant question", ladies and gentlemen, is: how on earth can a so-called "free" society tolerate the government forcing (there it is in Sowell's own words, and he somehow glides past this) people to supply this economic good?

I cannot understand how anyone can simply take this state of affairs for granted and then start an analysis from that point. What in the world has happened to the mentality of a person who attempts to think like this?

These utilitarian analyses are worse than useless. They positively and actively stipulate to the statist fait accompli, which must be attacked at its roots. This is not an economic dispute, kids. This is a political fight for life itself. Questions of "quality" are impertinent except as natural consequences of socialism over which there is no rational argument. One might as well argue over the implications of throwing living people into bonfires, but every sane person knows that the very first question is whether it is civilized in the least degree to do something like that.

No, Mr. Sowell. You're dismissed until you can comprehend this entire matter.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}