(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Sun Jul, 05 2009

Help With Reading Eighteenth Century Historians

After bringing comparisons between Plato and early fourth century Christian theologians (having to do with what Objectivists would understand as The Mind/Body Split), Gibbon proceeds to two distinctions between Plato and his 'ists and the Christians. The second one addresses "the authority of the church", and renders this passage:

"A metaphysical argument became the cause or pretence of political contests; the subtleties of the Platonic school were used as the badges of popular factions, and the distance which separated their respective tenets was enlarged or magnified by the acrimony of dispute. As long as the dark heresies of Praxeas and Sabellius laboured to confound the Father with the Son, the orthodoxy might be excused if they adhered more strictly and earnestly to the distinction than to the equality of the divine persons. But as soon as the heat of controversy had subsided and the progess of the Sabellians was no longer an object of terror to the churches of Rome, of Africa, or of Egypt, the tide of theological opinion began to flow with a gentle but steady motion toward the contrary extreme; and the most orthodox of doctors allowed themselves the use of the terms and definitions which had been censured in the mouth of the sectaries."
This, ladies and gentlemen, comes with all emphases original at pp. 682-683 of volume I of Oliphant Smeaton's edition of "The Decline And Fall Of The Roman Empire" (Modern Library -- Random House). It precipitates this footnote:
"Socrates acknowledges that the heresy of Arius proceeded from his strong desire to embrace an opinion the most diametrically opposite to that of Sabellius."
Do not, dear readers, confabulate this Socrates -- the late fourth century writer -- with the Greek sage of some seven-plus centuries earlier. I'm just telling you: Gibbon simply presses on as if one knows these things.

Okay, then.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}