(second block, fourth letter of the prisoners' quadratic tap code...)

image
...am here to tap through the walls.


Thu Jun, 04 2009

Really Wearing Out Their Welcomes

Hey, Travis County, Texas, Precinct 3 Constable Richard McCain: I don't believe one single word that slides out of your silky throat. I take one look at you and see a slug-ass jobholder marking time until you get to lay around on money stolen from your neighbors, upon whom you and your partners in crime will doubtless inflict all kinds of senseless bullshit and pain until you can't haul your donut ass out of the squad-car any more. Prima facie, I say that you're a creepy little liar and that Mrs. Winkfein would have been right in knocking both eyes right out of your head if she could have managed it.

You're pretty handy with little old ladies, aren't you, lard boy?

If you think you're going to get to run a whole career at that sort of thing, then maybe you should think again. People all over this country are getting bloody sick and tired of rotten bastards like you, and the time will come soon enough when they will not have you anymore.

(Radlink)

Jun 04, 09 | 1:47 pm

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}