(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Tue Mar, 10 2009

Cannibal-Pot Seasonings

Neal McCluskey brings good deductive reasoning (subsuming concretes under a known concept) to "social conflict and division" in the cases of government paying for education and science with stolen money.

No matter how sophisticated one pretends to be with the rhetoric, that's what it is, and this will always tell in the corrosion of civil relations. When everyone is paying for everyone else's science or education under force or its immediate threat, then they cannot afford to leave each other alone to pursue values in peace. When values are up for political grabs at force, it becomes necessary to fight for them because trade becomes impossible, but they must be acquired in any case. Values are in their nature limited. When they are subject to force, production of them ceases, because of the individuality of their nature: only the individual values, and no individual produces anything of value to him under force. When that individual must acquire values from collective claims, he must do so not with an idea of trading something for them, but rather beginning with the basic animosity of a beggar. People will only begin to hate each other under such political arrangements.

This dynamic intensifies with the necessity of the values dispensed by the state. For one thing, coalition politics in democracy -- gang warfare at the polls -- is driven by instinctive understanding that the situation calls for strength in herds, and the individual is impelled to political activity as a value: not to gang -- at some level or other -- is to be left for plunder. As it proceeds, observe that science and education are one sort of thing and somewhat remote from the average individual's field of view. Things like medicine and housing are more intimate, and those fights will always be more fierce.

Keep all this in mind as the pace of this thing picks up.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}