(second block, fourth letter of the prisoners' quadratic tap code...)

image
...am here to tap through the walls.


Thu Sep, 25 2008

A Toss

"The conventional wisdom is settling in: It's awful, and terribly un-conservative, to nationalize a big lump of the financial industry, but the alternative is too awful to contemplate.

Baloney. It may be politically too awful to contemplate, i.e. hazardous to the well-being of our political class, but that's the kind of short-termism that got us here. Once this thing is done, it's done, and the dollar is a few inches closer to being a Soviet rouble. The conviction that government will always bail out a financial catastrophe will be factored into all future trading and financing decisions. Down the road — in the time of our children and grandchildren — this will have consequences far worse than a 5-year deep recession."
John Derbyshire pissing into the wind, bless his heart. The clamor is horrifying and no more so than knowing when the times are turning right in front of you on hinges of principle so heavy that you're amazed how few can see it. And the whole gag is made for the times: it skids along on people whose perceptions of light are conditioned under its enormous shadow and who, with their heads down on the day-to-day beat, almost never look to the horizon.

"If your children ever discover how lame you really are, they'll murder you in your sleep."

(Frank Zappa, 1966, "Freak Out")

Sep 25, 08 | 10:47 am

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}