(second block, fourth letter of the prisoners' quadratic tap code...)

image
...am here to tap through the walls.


Fri Aug, 15 2008

"Problem Jurors"

Judge Young writes, “The impropriety of [jury] nullification emanates from the notion that ours is ‘a government of laws and not of men,’”
...as if the laws are not of men.

...as if there is some ethical and political magic that happens when some men establish "laws" that dominate other peoples' lives.

Consider the absurdity, ladies and gentlemen, of a person being appointed to a jury and charged with the responsibility and authority of judging a given case without the authority to bring his whole mind to bear on everything involved in the case, to include the law. To prohibit that final aspect is to arbitrarily demand blind obedience, not to this floating abstraction of "the law", but to some individuals' assertion of everyone else's political relationship to their particular ethics, now enforced by government.

What Federal District Court Judge William Young really wants is for jurors in his court to stop thinking when he tells them to.

Can you understand how dangerous this is?

The problem is not with jurors.

Tim Lynch noted this matter.

Aug 15, 08 | 8:57 am

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}