(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Wed Jun, 27 2007

All The Fine Young Cannibals

"The headline is about their increasing liberalism, and that's true so far as socialized medicine is concerned, alas. But what strikes me most about the latest poll of the next generation is the distinctions they make. Instead of seeing 'drugs' as an amorphous category, they distinguish between largely harmless marijuana and an addictive upper like cocaine. Instead of conflating all the moral issues, they have no problem with gay dignity and equality, but retain many of the moral conflicts of their parents with respect to the far more troubling issue of abortion. This doesn't strike me less as a sign of their liberalism than of their intelligence and experience. You simply cannot persuade most sane people who have smoked pot, or know people who do, that it is even a minor threat to social order or cvilization. And you cannot tell people who know and have grown up around gay people that we are the threat to the family that the Christianists claim. All of which should make us more optimistic about the future, because it suggests that, in the long run, reason and experience actually do work to make the world a marginally less stupid and cruel place. In the case of the lives of gay people and their families, it already has."
Honest to fucking god. It's bullshit like that that makes me just keep to myself, some days.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}