(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Fri Dec, 15 2006

PotterCrackery En Parade

Ladies and gentlemen, allow me to introduce Mrs. Laura Mallory.


She is, you see, a bloody crackpot. Go here and have a look. Don't miss the viddie, wherein she solemnly informs one & all that "the young children are not able to discern as easily as older children". One might take up the matter and let her know that that very thing is what parents are all about, but, hey; I'm usually about ass-deep with bloody fools all day long, so knock yourselves out.

The issue here is her attempt to have the Gwinnett County (Georgia) school board remove the "Harry Potter" series of books from the schools' library shelves. It seems that if this doesn't happen, the poor dears will be -- I dunno -- flying around the room & shit, in no time. Can't have that, for sure.

The school board has summarily denied her plaint, presumably without the stroke of justice in letting her know that she should stick to tending her flower pots, and she's thinking about taking the thing to court.

You know what? Everyone involved will be lucky if this thing doesn't end up with lovely Laura and her spiritual kin smashing picket-signs over the heads of huarache-footed black-flaggers in pitched battles on the steps of the U.S. Supreme Court. You wanna know why? Get this, and get it good:
"And I pay taxes, too, and I think that gives me a voice to speak out about this.”
Do you understand, dear morons? She is entirely right about this. As long as she's getting soaked (which, doubtless, is not the way she sees it because she's a moron, too) for this perpetual-motion project known as "public education", it means that she has standing to raise hell if she doesn't like the cut of the bleedin' shrubbery out in front of the drill center "school" where her brats get stashed every damned day.

A reading:
"The State is the great fiction through which everybody endeavors to live at the expense of everybody else."
That's Frédéric Bastiat, from one hundred fifty-eight years ago. It's as true as it ever was, but Bastiat did not -- so far as I've ever read him or of him -- analyze the dynamic whereby the state drives crinolined suburban moisties to becoming presumptuous social umpires with just enough of a shred of truth in their pockets to buy their way into a bloody fight at the lip of the cannibal-pot.

Get government (all government) out of education (all education), and send dear Mrs. Mallory back to her begonias.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}