(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Fri Aug, 18 2006

Essentials, Kids

Yesterday, I read this article in Financial Times asserting "the unmourned end of libertarian politics". It's a load of bloody bollocks. Right off the bat: if we're really seeing "the end of libertarian politics", it's not located where that fool says it is. In fact, it's coming at the hands of so-called "neolibertarians" (stealing a concept for portage to democracy) and "left libertarians" (stealing a concept for the value of its implied connotation) and in the generally-tossed symbol-salad that has taken the place of language (the application of precise percepts -- "words" -- as referents of reality).

Jeffrey Tucker dismisses that idiotic article in three sentences of plain truth, which I was too goddamned disgusted to post here, on my own.

Note: I linked to the "Free To Choose" episodes, below. I'd thought about it, and held my hand, but now I won't: Milton Friedman is for beginners. This is broad-stroke baby-stuff and should be taken with great care, because there is no morality in it. It is sheerly utilitarian. It is important to understand, for instance, that there is nothing "libertarian" in Friedman's idea of "school vouchers". Read this:

"Governments could require a minimum level of education which they could finance by giving parents vouchers redeemable for a specified maximum sum per child per year is spent on 'approved' educational services."
(Milton Friedman -- "The Role Of Government In Education", 1955 -- .pdf) Understand, ladies and gentlemen, that:
As for the FT article: all the same goes for this craptacular nonsense about "individual health care accounts".

Now; anyone can call themselves any bloody thing that they want to, but nobody who endorses anything like this stands for freedom. Get yourself adept with distinguishing essentials, and hurry up about it. Don't go about uttering nonsense and making a fool of yourself.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}