(second block, fourth letter of the prisoners' quadratic tap code...)

image
...am here to tap through the walls.


Fri May, 19 2006

The General War On Peace

Try to understand, ladies & gentlemen: the entire nature of the job today means that all the wrong people are attracted to becoming cops.

This is the principal insight to the case of a couple arrested for asking directions from a cop. And it might not be any big deal to you: you're not the one who ended up sleeping on the floor of the cell next to a toilet. But it should be, because it could easily be your turn, on the turn of an instant.

Yes -- Wendy McElroy remarks:

"The police response in this instance is an extreme example of what is a prevailing mood with which you must deal on a daily -- indeed, minute-by-minute -- basis when you do almost anything State-side. And I mean you must be careful of what you say about politics while standing in a fast food line...I'm talking a change that has trickled down to that level. The shift has been so incremental that I'm not sure people living in the States even notice how dramatically the culture has deteriorated toward intolerance and mandatory genuflection toward all authority."
Emphatically agreed. If you're paying attention, you know that's true.

May 19, 06 | 10:46 am

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}