(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Wed May, 10 2006

"November Boycott"?

"Why are we funding Iraq, one of the longest wars in American history—by Nov. 25, 2006, it will be 1,347 days old, the number of days between Pearl Harbor and VJ Day—with "emergency" bills? To hide, or at least obscure, the costs. Funding the war in dribs and drabs—as if the fact that the war costs money is a recurring surprise—spares Congress from confronting the huge cost and having to make room for it in the budget by shedding lower-priority spending. When the Korean War erupted, Congress immediately slashed discretionary nonwar spending 25 percent."
(George Will)

What all the "strrange emergencies" add up to is the larger disaster, of course. The mobocracy erects itself upon its own wreckage, getting heavier all the time. Its dynamics almost begin to look like a firestorm: where the rising erection of state sucks values with breadth and speed proportionate to its rise, as people -- being groomed to it -- learn to gang up for "access" to the burn of productivity.

I get the link from Greg Ransom, who wonders if Will is down for a "November boycott". It doesn't look so much like an endorsement from Will as a prediction. Mark that as you will. I just note that I don't see anyone in this pointing out that nobody has the right to vote other peoples' wealth hither & yon for any reason. There's no moral base to this, and the whole idea of a voters' boycott can certainly do without such rot.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}