(second block, fourth letter of the prisoners' quadratic tap code...)

image
...am here to tap through the walls.



Wed Apr, 05 2006

Immigration: Rootswork

> But I'm confused by one point you made.
> "I am an *American*, in the fullest sense
> of the concept." This implies that you
> are a member of something. Can you
> elaborate on this point a bit? I'm simply
> trying to understand how you can claim
> to be an American whilst seemingly
> wanting to divorce yourself from the
> government. I'm really trying here.

Do you think that being an American is simply a matter of geography? An accident of birth?

Think about it.

People chose this country, Tim. If you look back at history, you will occasionally find the odd individual who threw off one "citizenship" for another under a different monarchy or incipient dictatorship, but you're not going to find anything like America, which was consciously chosen by people all over the world who had one thing in common: an understanding of the ethical implications of this country and their practice in political action.

To be an American is a conceptual condition. It's a space of the mind, and it is the thing which made this country, and the people who came here, unique in all of political history. Nobody ever came to America thinking they would be nobody. They came here believing that they would be somebody, and that the "somebody" would be what they - each individual who chose this place - wanted to be. They came here precisely because they couldn't do that in the places where they came from.

It wasn't merely an accident of world history and the discovery of a "new world". Look at the differences between this place and South American countries, which lie on a continent at least as naturally rich and certainly every bit as lightly populated as this one was in, say, the mid-18th century. Why did America lead the world into unprecendented productive achievement while virtually all of South America languished into the "third world"? It was because we were free, while they lived under variations on monarchy and statist imperialism, and that is exactly what people who came here understood.

Being an American doesn't have anything to do with this government. It never has, no matter what they told you in grade-school. The fact is precisely opposite. In order to bring that into precise focus, think about these three items: 1) the principles of individual rights as developed through the Enlightenment, 2) the horrors of slavery in America, 3) the fact that slavery was explicitly sanctioned by government here. The contradiction between items 1 and 3 resulted in item 2, and that could never have happened except by the idea that some men are adorned with the moral authority to dispose of others' lives. That idea is what government is all about, and there is nothing American about it.

The American Idea was about liberty: the ability to choose one's own life. That is what defines an American, and it is strictly a matter of the mind.
(Me)

That was over eight years ago, in a Usenet discussion touching immigration matters, in which certain ethical realities underpinning political necessities had to be made clear.

All of that is still my conviction, to the bone. I went to find that after reading Harry Binswanger --
"One doesn't have to be a resident of any particular country to have a moral entitlement to be secure from governmental coercion against one's life, liberty, and property. In the words of the Declaration of Independence, government is instituted 'to secure these rights'--to protect them against their violation by force or fraud."
[...]
"It is not a criminal act to buy or rent a home here in which to reside. Paying for housing is not a coercive act--whether the buyer is an American or a foreigner. No one's rights are violated when a Mexican, or Canadian, or Senegalese rents an apartment from an American owner and moves into the housing he is paying for. And what about the rights of those American citizens who want to sell or rent their property to the highest bidders? Or the American businesses that want to hire the lowest cost workers? It is morally indefensible for our government to violate their right to do so, just because the person is a foreigner."
The thing to object to is any sort of forcible intervention in these peoples' private affairs. In sum, this amounts to radical demolition of ideological premises including stuff like American citizens' so-called "entitlements" stolen and granted by government, and prohibitions or "incentives" impressed on their private affairs.

Otherwise, it's not a "free country" and everybody should just stop saying that it is.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}