(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.


Sun May, 08 2005

Enduring Credulities

Just now on ABC's "This Week", Sam Donaldson sneered at George Bush for tagging FDR with his complicity at Yalta for the disaster that overwhelmed eastern Europe at the end of World War II. Donaldson cited Ronald Reagan asserting that Josef Stalin had "broken his word" promising elections in those countries.

I don't have a cite from Reagan, so I can't argue what he said or didn't say. I will, however, point out that anyone who took Stalin at his word was a functional retard who deserved whatever he got. The tragedy of history, of course, is that the people who lived and died under the Soviet yoke didn't deserve what they got.

Yalta was an abominable disgrace to a nation that went to war under the auspices that America did in World War II. In a rational culture, it might be enough to say that this fact should never be forgotten. What's worse is the truth, which is: it is a fact that would have to be learned before it could ever be forgotten.

May 08, 05 | 2:12 pm

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}