(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Tue Apr, 19 2005

Techne When It Works

My thirteen year-old niece, Emily, who's been playing guitar for about four months, points out Chordfind.com to me, and lets me know that she's having trouble figuring out how to hold a C# chord, because she's working out the tab to David Bowie's "The Man Who Sold The World".

I'm just about flabbergasted that she's even trying this at her level of experience. Way to go, Emily. Get on with it.

I tell her to go get her axe because I want to show her something. (She wonders what "axe" means. I tell her that "it's for 'chops', but nevermind; just grab your guitar.") She does. I point out how to hold the chord, by telling her to hold an 'F' at the eighth fret. This is because the frets are closer together up there and it's easier for her fingers to manage. She does so. Then, it's time for the principle: "Okay; hold that same stack at the fourth fret. That's C#."

And she gets it. Right away. She's just learned that chording the guitar is a two-dimensional exercise: chords change with fingerings and neck position.

Here's what's cool: we were a thousand miles apart and we did the whole thing with instant messaging.

Ten years ago, it would have been a very different thing to have her questions addressed so casually. It probably wouldn't have happened. And she has never known that world.

In lots of ways, her life is very different from mine.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}