(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Mon Apr, 04 2005

"Team Spirit" And Bloody Assholes

A commentor at Hit & Run puts Jon Henke in his proper place:

"One of the problems libertarians have had is the "purity" issue. I've never seen a group of political activists so determined to kick people off the team."

Jon, your analogy is wanting. If you are willing to compromise the principles of libertarianism (and libertarianism is nothing if not an ideology derived rationally from clear principles), then nobody kicked you off the team. You were never on the team. You did not show up for practice.
Goddamned right. They are not "libertarians", and never were. Their presumption about "the team" is an utterly outrageous fraud.

It is appalling to me that Bruce McQuain is hanging out with these two rotten punks. Appalling. I've been reading him and discussing American politics with him for nearly fifteen years, and I would never have predicted this. It's obvious, I suppose, that I don't know what's going on in this aspect of the thing, but I regard it as quite tragic.

Bruce: if you read this, I'm telling you. You don't need those two. Unless, that is, there is some other value that you see in the association. What could it be? Exposure? If that's it, then I'm here to say that you could have done at least as well on your own. (And I might as well say it right out loud: I very much suspect that this is a great deal of the thing with them. They're only in it for the noise. They like it when Eminences quote them.) Do you really believe all this jazz they're touting?

If so, then I seriously misplaced a great deal of my confidence in you over the years.

That might not matter to you, but it's a big deal to me.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}