(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.


Fri Feb, 04 2005

A Program Note

Rich Nikoley cites Greg Swann, and then asks:

"Now, somebody please tell me how the fact that 'Johny can't read,' or any number of other sillinesses, stupidities, or minor injustices is going to halt or slow down the general global trend, as evidenced above."
Very well. I'll take that up, because I know it's an honest inquiry.

That "global trend" is "slow[ing] down" right here in America because whole generations of Johnnies can't read, which is merely symptomatic of the fact that they cannot think, and people in those straits are manifestly unable to engage the philosophical acumen necessary to rejecting the pandering of bureaubots doing everything possible to save their jobs by pandering to Johnnies who can't think.

And, while I'm at this, I will take a moment to point out that:

* It's pretty goddamned easy to sit around and dismiss the crimes committed by government against others as "minor injustices".

* I'm not interested in "the long run". I wasn't interested when Keynes pitched it, and I'm not interested now, over a half-century after he ran that fabulous hand-wave at the peons. This is the only life I'm ever going to live. Right now. Get it straight: I am an individualist. I don't give a damn about the hive.

Feb 04, 05 | 2:52 am

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}