(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Sat Jan, 22 2005

Blizz '05

Michele is posting blizzard photographs from Long Island.

"Ah!... Looxury!"

This is what Daisy Hollow looked like at 2:30pm --


The curve in the road is about 300 feet away from where I'm standing. The new snow is about ankle deep right now, and falling at a furious rate. It'll be interesting to see how this goes, although it won't be strange to anyone living out here.

Later --


The south end of the road about 4:00pm. I'd been out and about visiting a friend so I don't know how often this was getting plowed. Those drifts beginning to blow across the road are typical down that stretch, which is the agricultural flat of a broad valley running just about on the axis of the prevailing winds. Those drifts are there more or less all the time for weeks on end.


Clearing the flats and headed up the turn for the "dark forest" section of The Hollow. (You may observe that this stuff was snapped through the windshield, under way.) The snow tracks you see in the road are showing you new snow nearly ankle deep.

It's now getting nearly too dark to shoot any more around here, but I might take a jaunt into town to look around.

It's fourteen degrees out, right now.

Laterer (6:30pm) --


A flash-lit take to illustrate how much snow is in the air. This is looking south down the road. My driveway is on the right, about as deep into the photograph as that large machine, which...


...belongs to my neighbor up the road, who gets a kick out of managing big snow with big machines. So, he makes a hobby of plowing driveways up & down the road when it comes on like this.


That shot is looking directly up the middle of the road. The snow on the road is a couple of inches deep, and the piles that he's pushed to the sides are eighteen to twenty-four inches deep, anyway. The new snow lying on the ground since this storm began is about four to six inches, and piling fast.


8:30pm --


Downtown Village of Dryden -- an inch or two laying in the streets.


Up the hill past Town Line Road -- Mike's vehicles; in for the evening.


Over the hill into The Hollow -- the right lane's been scraped relatively recently but the blade hasn't come back the other way, yet. Half an inch or so in my lane, two or three inches in the opposite lane. (Those could be my tracks from about a half-hour earlier.)

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}