(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Mon Jan, 03 2005

Hate Them. Hate Them. Always.

Yes, it's true: I was tired and cranky. However, nothing about that mitigates the facts of Life In These United States that spawned my seething outrage at having to go through the generally awful charade of "security" at La Guardia again during a three-hour layover near the end of the twenty-eight hour grind of getting home from Jakarta -- in order to step outside and enjoy a cigarette.

You know... it really is such a little thing. I know this, you see, by way of the contrast that I routinely draw between American airports and those that I fly through around the world. It happens every time. I get home, and then carry the fact around like a smoldering ember: "At least they'll let a man have a bloody cigarette over there, without having to deal with the smiling dirt-bombs that this rotten country conceals behind the bureaucracy, where one cannot get at them to bat them in their little fucking pointed heads."

Yes, I was tired and cranky, standing there and thinking about the fulminant savagery that I might unleash, here, over this matter. Fucking assholes. I hate this country because of these fucking assholes and the way they are tolerated here, and I don't apologize for it. Last week, I got e-mail from a reader complaining about my "I hate everybody, I hate everything" attitude. I took pains to point out to the dink how much I could love and admire a culture here that was descended from America -- which this one manifestly isn't. Americans, you see, don't go around telling each other how to take care of themselves. And before one of you gets up on your hind-legs to start hollering about "second-hand smoke", I have four words for you: "laminar flow air handling". Go do your goddamned homework and shut the fuck up.

(ahem)

Yes. Well, like I said: I was tired and cranky. And by the time I got home, I was just tired, and not interested to fight about it.

Then, I gets this link in e-mail.

These fucking assholes. These motherfucking shitbag cocksucking punk-dog dick-drips. I cannot wait for them to get to Hell. Honest to bleedin'-Jesus: I will be happy to greet them at the gate with a chainsaw in order to hack the snouts off their pig faces, one by one, as they arrive.

If that were to be my gig throughout eternity, I could dispatch it always with a song in my blackened heart.

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}