(second block, fourth letter of the prisoners' quadratic tap code...)

image
...am here to tap through the walls.


Mon Mar, 22 2010

"SLOWLY, I turned... STEP by step..."

Look, you abysmal goddamned morons...

"Republicans despondent because they think the bill is a government takeover that is about to ruin the American health care system may want to cheer up. First, if the bill is half as terrible as the Republicans say it is, Americans are going to be so upset about it that they blame the Democrats." [chomp]
I, for one, don't give a damn in the world who is the black-hat on some simpleton's scorecard in the wake of this. What I care about is what real, live individual human beings are going to have to live through under this atrocity. I don't give a runny shit about the prospect of Republicans' political profit at the polls: they can all go to hell unless and until they swear their lives, fortunes and sacred honor to ridding me of these commissars, and; I would not thank them for doing it, for it is only the right thing.

The Republicans have not had a single morally probative principle under them in all of the fifty-three years that I have been alive. They have been passively complicit in this whole disaster every step of the way, in their spineless stupidity, and I wouldn't care if they ended up painting Nancy Pelosi's toenails and feeding her bon-bons for the rest of their worthless lives.

Don't hand me any Novembers, god damn you. I will have freedom, or you will have my everlasting hatred. You and your stupid fucking polls.

Drop dead, and hurry up.

Mar 22, 10 | 2:37 pm
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AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}