(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.


Mon Sep, 08 2008

A Is Fuckin'-Aye

Oh, I know, Martin.

You know what, though?

"A perfect storm of statism is forming, and our economic freedoms are at serious risk.

Those who care less about looking politically correct than preserving the free-market individualism that's made this country great have to start calling things by their proper name to avert long-term disaster."
(IBD)

I should think that the exposure of the national housing fraud might demonstrate that it's a little late for that. Some people have been calling it what it is for a long time without boring the least hole in all the various know-nothing evaders, and often with a good deal of sniping from people ostensibly on their own side of the thing.

It's bloody obvious. But that's not going to {ahem} "make a difference".

Sep 08, 08 | 11:52 pm

And, We're Off!

Today is the first business day since announcement of de facto nationalization of home financing in this country, and Wall Street appears to be eating it up with a spoon.

That's about as good a start to a new week of Endarkenment as any I can think of.

Sep 08, 08 | 11:54 am
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AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}