(second block, fourth letter of the prisoners' quadratic tap code...)

image
...am here to tap through the walls.



Tue May, 06 2008

At Least They Didn't Burn Him At The Stake

" 'I get a call the middle of the day from head of supervisor of substitute teachers. He says, "Jim, we have a huge issue. You can't take any more assignments. You need to come in right away." I said, "Well Pat, can you explain this to me?" "You've been accused of wizardry." Wizardry?' Piculas said."
Land O' Lakes, Florida

I don't doubt a word of it. Wouldn't surprise me one bit.

Live And Learn

"I myself was spared the intellectual humiliations of a college education."
(H. L. Mencken, April 3, 1927, Trenton, New Jersey Sunday Times)

Uh-Oh...

I think McPhillips is headed off the reservation.

What You Pay For

"If it was 7.8 million on a revenue stream of 114 million, nobody would say a word. But change 'million' to 'billion' -- the percentage is the same -- and everybody gets upset, because it is a big number."
That's John Hofmeister, President of Shell Oil, throwing down some facts of reality in the face of lies and bullshit designed to have you on your way to mo-betta phat Endarkenment by the end of the year. And there's lots of 'em (facts), too. Glenn Beck segment at YouTube. Watch the whole five-minute thing. Wladimir Kraus linked that.

Hofmeister says that we're twelve to fifteen years away from seeing significant domestic production increases at the pump. It should not be difficult to understand that the greatest part of that lag is located in Washington, where prissy little scribblers backed with main force presume to stand in the way of men of action who would get out there and produce in exchange for our production ("division-of-labor economy", kids) denominated in money. There is no telling how much of the cost of end products -- at least half a generation away now -- will have been devoted to "negotiations" and "partnerships" with these slugs: corporate legal departments living cheek by jowl with them for whole careers, accounting departments forced to count their bloated and rotten beans, not a single boot set anywhere without first referring to every sort of creep with a "mandate" and "authority" to make sure that some legislative committee hearing won't sling his ass on an election-year whim. All of that Rube Goldberg effort has to come from somewhere, but at least it's not a "windfall profits tax". You're going to pay for it, though. That's the price of not exterminating parasites.

Still, you'd be a lot happier now if they had let people produce oil for you here in America instead of acting like comic-book dingbats with all the guns in the world for more than a whole generation now, even if people like John Hofmeister had to go them begging with hat in hand for permission to go to work. (The very idea: outrageous.) And now, you're going to wait another half a generation for any of it to get going, if it ever happens at all.

I wonder if anyone here can understand my blazing contempt for anyone who calls any of this a "market".

PREV page NEXT page

AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}