(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.


Wed Jan, 04 2006

No Screw Un-Turned

"In the light of day, media types and civilians alike were asking a question last asked during Katrina: Weren't they (officials) WATCHING the coverage on television?"
After due consideration, I find that only a broadcaster would ask a question like that about people confronting a situation like that in the coal mine at Tallmansville, West Virginia: as if they had nothing better to do than sit around listening to idiots with microphones blowing more gas in open air than it takes to snuff out a dozen lives underground.

[sigh]

Beyond that, I can only imagine that this story will get worse as it goes along. Principals will say increasingly silly and demented things, and a great deal of it will end up in court, where I fully expect every impulse of the Outraged Prole to be assuaged in premise and practice, and -- in the end -- large sums hanging on a length of twine between tin-cans, across which no rational thought can be expressed because that simply is not the point of the endeavor.

Jan 04, 06 | 8:47 pm
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AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.

Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}