(second block, fourth letter of the prisoners' quadratic tap code...)

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...am here to tap through the walls.



Fri Apr, 09 2004

Let Iraq Fall To Pieces

Phoblographer points to James P. Pinkerton in Newsday, who makes an essential point concerning post-Saddam Iraqi politics. It's really pretty simple: there should be no more Iraq. This is an obvious case in which devolution of power would be just the thing.

This should have been US policy since long before day one.

Bleedin' Dimwits

How on earth can people who don't know anything be responsible for the culture they live in? You know; in the way that social constructionists say, when they go on about stuff like "the social contract" when it comes to representation in the legislatures, etc. Look: if any of that is really true, then we're all in bigger trouble than most people know, because most people are half-educated and not at all able to think.

It should be well-known that Americans are manifest dolts. It could be taken for granted that most people on the planet are equally dim, and it shouldn't be surprising if British historians greeted with "alarm" survey results indicating that, for instance, one in ten of British adults did not think that Adolf Hitler was a real person.

The mind boggles. On whom is it wasted whenever the lefties scream about "fascists" over there, now? It seems like it might not be worth the bother.

Holy cow.

(linkage -- Gary Cruse)

Presumptional Ethics

"Yoon Ho Song could face 50 years to life in prison if he is convicted of the first degree murder of Mario Sandoval Martinez and a special allegation of using a handgun, a spokeswoman for the Los Angeles County District Attorney's Office said.

Prosecutors say Song came out of his house to find two car thieves pushing his customized Honda out of his driveway in the predawn hours on Monday and opened fire, hitting Martinez, 25, in the back. The second suspect got away."
Los Angeles is a place where the criminals get to make up the rules. They take you on their terms. You take them on the state's terms. The rules of engagement are dictated by people like the prosecutors -- and, of course, the legislators -- and when the fight's on, your values don't count. You certainly don't get to scale anything that's yours against the life of the animal that tries to take it. Others will do that for you, after the fact.

There is nothing to see here. Show's over. Move along, citizens.

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AxeBites

Various guitars I see floating by, mostly Gibson and mostly eBay.


Early Norlin ES-335 -- 1970, in Walnut ("ES-335TDW"). This is a period-piece look and feel, and arguably the sound as well but that's to cut things very finely. A "classic" 335 would be the original of 1958 in the Sunburst or Natural finish, or the Cherry Red of 1959; the Walnut of 1970 (second year of that finish offering) is not really a "classic" 335. In the history of the Gibson aesthetic, this is analogous to, say, vertically-striped polyester bell-bottoms or Bahama Blue shag carpeting. None of this is to say that they're not cool guitars, and this is a nice one. Excellent photographs.

Chrome hardware, featuring the trapeze tailpiece (like my L-47 and I've always liked it) and ABR-1 bridge with period-typical nylon saddles. Bound rosewood fretboard, with small block markers, and then the crown inlay at the machine head. These would be the T-top Humbuckers. Vintage Nazis would moan that the upper bouts are pointy (the body templates were wearing-out in the factory) and the fourteen-degree machine head with the volute signals a sometimes not-fun era of the line, but these things really do rock or moan or whatever you want a 335-type semi-hollow to do. ...which, of course, is because it really is a 335.


In the months since I've let AxeBites languish all to bleedin' hell, Gibson's Robot Guitar technology has sifted out to other models than the original Les Paul application. I don't know how it's going: I still haven't even seen one of these self-tuners. I don't see piles of them burning on the sides of the highway, nor reverent hangings in display cases over bars, so who knows? This 2008 Robot SG is ready to rock in the Metallic Red. Nickel hardware; it's the stoptail wired for data to send to the tuners, with dual Humbuckers. It's a bound rosewood fretboard, but I really like the single-bound machine head with the crown inlay. That's a real cool old-school look, right there, to set off that crazy-ass color. {nod}